Several of my posts have received plenty of praise, but also a fair amount of criticism. A large portion of the criticism levied against me came from two groups, both of which tend to be blights to reasonable discussions about RPG’s. These two groups seem to have decided that all the thinking about RPG’s has already been done, and so levy their criticism from that vantage point.
The first of these two groups is the OSR’s. If you don’t know already, OSR stands for Old School Roleplaying, these are people that like a certain style of play and are the sworn enemies of Forgers (which I’ll get to in a second). From the OSR’s the criticism was mostly along the lines of suggesting that my proposed mechanics were somehow ‘cheating’. Which of course relies on the myopic belief that the way they like to play games is “how games should be played”.
The second of these groups were the Forgers. Forgers are people who adhere to an incomprehensible RPG Theory that is largely centered around a cult of personality names Ron Edwards and his online forum designed to perpetuate his ideas. The criticism from this group was generally along the lines of “The Forge (or story games) already figured this stuff out.” or “You aren’t going far enough”.
I’m not going to address the OSR’s here. I’ll save that for another time, because honestly their the less annoying of the two groups. Furthermore, before I continue, I want to state that there are awesome people in both groups, and I’m going to try to focus my criticism here on theory instead of people. Finally, the take away from this should be an explanation of what I’m trying to accomplish with Living Myth.
Living Myth is a system that uses flaws. These give you back character points which you can spend on other things. Some flaws require “Will checks”, which is a roll of your Will attribute against a certain number of dice. If you fail the Will check you succumb to the effects of the flaw, if you succeed you do not succumb but the difficulty is increased by one dice next time you have to make the check.
Here is a sample flaw which I thought captured the spirit pretty well, but also seemed like something worth soliciting feedback on.
Today, I was thinking about death mechanics. I was thinking about Character death and how unsatisfying the mechanics presented in various systems are. To my pleasant surprise I discovered that I’m not the only one who’s been thinking about this recently. There are two other RPG Blogs that I am a huge fan of: The Angry GM, and Gaming Ballistic. If you aren’t already familiar with either of these blogs, you should stop reading mine and go read theirs for a while.
In any case, I was pleasantly surprised to see a write up from The Angry GM about Player Character Death. If you don’t feel like going and reading the article, the summary is “Death is important for games and stories, and so it is appropriate that it sucks. If you really want to avoid it, here are some alternatives”. I agree with this sentiment – I’d go so far as to suggest Resurrection be removed from D&D. However, The Angry GM’s arguments for how death sucks involve a lot of meta-game pain for the players, as opposed to in game pain for the Characters. That in itself is something I tend to want to avoid, but beyond that I always favor mechanics that increase player choice.
There is a mechanic that is prevalent in RPG’s. It is most obvious in its namesake mechanic from Dungeons and Dragons. It’s Save or Die. An example is the “Finger of Death” spell which kills anyone who doesn’t succeed at a Fortitude saving throw. Here I mean it in a much more general way. I’m going to call Save or Die any mechanic which hinges on a single die roll and results in a failed adventure.
Fate is an RPG that is centered around a particular mechanic it calls “aspects”. It is designed as a game that encourages a Director stance (excuse my use of GNS terminology please) and is focused on simulating a narrative. The Fate mechanics work by creating a rubber-banding of narrative tension, and while it seems like a direct port would work, there’s a better way to incorporate them into more traditional RPG’s.
Dungeons and Dragons has long used a morality system called “Alignment”. It describes 2-axis, one axis is law-chaos, and the other is good-evil. One problem with the system, through all 6 editions, is that alignment has been ambiguous with respect to characterization. While it has successfully acted as a light guide to the general morality, it’s largely failed as a more specific guideline. So, what we’re going to do here is we’re going to define these axis more explicitly, recalibrate them, and look at how they apply during play.
Okay, so I took a bit of a Hiatus. Basically all of fall. It’s not that I wasn’t working on anything Living Myth related, it’s just that I was busy, and uninspired to write. During the course of that time I’ve smoothed out the core mechanic, thought about its implications, and have been tinkering with writing campaign management software.
What I want to do here is revisit the core mechanic and discuss its implications.
Just about every RPG has some sort of damage mechanic; a way of figuring out what happens when a Character takes a hit in combat. Exactly how the Damage Mechanic is implemented is heavily tied into the underlying mechanics of the game and has an enormous impact of the “feel” of the game during play. Here we’re going to look at some commonly used mechanics, how those tie into the underlying mechanics, and how they affect the feel of play. Finally, we’ll introduce a possible mechanic for Living Myth.
This is the first Rationale post. In these posts we’ll take the mechanics that I’m moving forward with and we’ll scrutinize the rationale behind them.
Today, we’re going to look at the Core Mechanic. By the Core Mechanic I mean the in game mechanism for determining success, and those other pieces that are tightly bound to it. For example, GURPS Core Mechanic is “roll 3d6 under skill”, D20’s Core Mechanic is “Roll 1d20 and add Skill”, and Fates Core Mechanic is “Roll 4dF and add Skill”. In each of those cases I’m over simplifying, but those are at least the core of the core mechanic.